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Amanda Harris ( Canberra: ANU Press, 2014). In Circulating Cultures: Exchanges of Australian Indigenous Music,ĭance and Media, ed. ‘ The Circle of Songs: Traditional Song and the Musical Score to C.P. Of Mountford’s recordings in orchestral and piano works, see Anthony Linden Jones, Of the Songmen: Aboriginal Myths Retold ( Melbourne: Cheshire, 1949). Mirrie Hill, ‘Three Aboriginal Dances’, Sydney: Martin Thomas and Margo Neale ( Canberra: ANU E Press, 2011),ģ58. ‘ Aural Snapshots of Musical Life: The 1948 Recordings’, in Exploring the Legacy of the 1948 Arnhem Land Expedition, ed. The Oenpelli songs were recorded by Colin Simpson and Ray Giles, but claimed by Mountford. – correspondence with state committees, New South Wales, SP487/1, 18, NAA, Sydney. Commonwealth Jubilee Celebrations, arts sub-committee Missingham (director National Art Gallery), E. Mr Justice Nicholas (president, Britishĭrama League), F. Manager, ABC), Dorothy Helmrich (president, Arts Council of Australia), L. John Antill, Terence Hunt (supervisor of music, Department of Education), Arthur Davis (Musica Viva), Eric Burnett (concert Metcalfe (principal librarian of the public library of NSW), Was absent overseas), in addition to those originally invited, J. The committee included representatives of the major music institutionsĪnd other cultural institutions: Bernard Heinze, Eugene Goossens and Charles Lloyd Jones (who acted as convenor when Moses Antill was among the group invited onto the committee at its formation in 1950,īut he does not seem to have remained a committee member. Music Making in Non-Indigenous Accounts of the Bush from the Mid-20th Century’, in Circulating Cultures: Exchanges of Australian Indigenous Music, Dance and Media, ed. Screen Sound 2 ( 2011) Amanda Harris, ‘ Hearing Aboriginal ‘“Scoring Essington: Composition, Comprovisation, Collaboration”’, Misappropriated Indigenous Melodies?”’, Musicology Sounds Australian 67 ( 2006) Jonathan Paget, ‘“Has Sculthorpe ( North Melbourne, Vic.: Australian Scholarly,Ģ012) Helen Gilbert and Jacqueline, Lo, PerformanceĪnd Cosmopolitics: Cross-Cultural Transactions in Australasia ( London:Īrt music, see Steven Knopoff, ‘“Cross-Cultural Appropriation: A Musicologist’s Perspective”’,
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Telling Stories: Aboriginal Australian and Torres Strait Islander Performance On theatre and performance, see Maryrose Casey, ‘“Performingįor Aboriginal Life and Culture: Aboriginal Theatre and Ngurrumilmarrmiriyu”’, Australasian Drama Studies 59 ( 2011)
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